Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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John Atkinson Grimshaw
Boar Lane, Leeds, by lamplight. Signed and dated 'Atkinson Grimshaw 1881+' (lower right) signed and inscribed with title on reverse

ID: 92708

John Atkinson Grimshaw Boar Lane, Leeds, by lamplight. Signed and dated 'Atkinson Grimshaw 1881+' (lower right) signed and inscribed with title on reverse
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John Atkinson Grimshaw Boar Lane, Leeds, by lamplight. Signed and dated 'Atkinson Grimshaw 1881+' (lower right) signed and inscribed with title on reverse


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John Atkinson Grimshaw

(6 September 1836 - 13 October 1893) was a Victorian-era artist, a "remarkable and imaginative painter" known for his city night-scenes and landscapes. His early paintings were signed "JAG," "J. A. Grimshaw," or "John Atkinson Grimshaw," though he finally settled on "Atkinson Grimshaw." John Atkinson Grimshaw was born 6 September 1836 in Leeds. In 1856 he married his cousin Frances Hubbard (1835-1917). In 1861, at the age of 24, to the dismay of his parents, he left his job as a clerk for the Great Northern Railway to become a painter. He first exhibited in 1862, mostly paintings of birds, fruit and blossom, under the patronage of the Leeds Philosophical and Literary Society. He became successful in the 1870s and rented a second home in Scarborough, which became a favourite subject. Several of his children, Arthur Grimshaw (1864-1913), Louis H Grimshaw (1870-1944), Wilfred Grimshaw (1871-1937) and Elaine Grimshaw (1877-1970) became painters.   Related Paintings of John Atkinson Grimshaw :. | Last Supper | Badende Frauen in einer Grotte an der Mittelmeerkuste | Dominikus | The Battle of Alexander at Issus | Notre-Dame |
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Edouard Louis Dubufe
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LIPPI, Filippino
Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.






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